出版社：Croatian Historical Institute - Department of History of Slavonia, Srijem and Baranja
摘要：The emergence and popularization of cinematographers at the end of the 19th and early 20th centuries indicates the industrial-modernizing transformation of the civil society exposed by new means of entertainment, information and political shaping. Balancing between the ephemeral sensationalism and original ways of artistic expression, movies attracted a broad and heterogeneous public in a relatively short period, which was also the case with the Urania Cinema in Osijek's Upper Town. As the largest permanent cinematographer here, as well as a prominent Art Nouveau building that became a recognizable motif in the urban landscape of Osijek, Urania imposed itself as one of the most important town’s cultural institutions. Still, we have known rather little about the specific content that was shown there in the earliest years of the work of this cinematic company.
关键词：cinematography; film; „Urania“; modernization; sensationalism; art
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