摘要：This text seeks to reflect on the role of memory in the reception of visual sources with emphasis on the images that were made without the purpose of becoming objets d'art. Within this group stand out illuminations and engravings produced in the fifteenth and early sixteenth centuries, in Europe, with Christian thematic about the death and dying. For this, we will use the concepts of anachronism and montage that were revisited and reformulated by the philosopher Georges Didi-Huberman in his most recent publications.
其他摘要：This text seeks to reflect on the role of memory in the reception of visual sources with emphasis on the images that were made without the purpose of becoming objets d'art. Within this group stand out illuminations and engravings produced in the fifteenth and early sixteenth centuries, in Europe, with Christian thematic about the death and dying. For this, we will use the concepts of anachronism and montage that were revisited and reformulated by the philosopher Georges Didi-Huberman in his most recent publications.
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