期刊名称：Poznańskie Studia Polonistyczne. Seria Literacka
印刷版ISSN：1233-8680
出版年度：2016
期号：27
页码：205-226
DOI：10.14746/pspsl.2016.27.10
出版社：Wydawnictwo Poznańskie Studia Polonistyczne WFPiK UAM; Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk
摘要：The author of the article has recalled Stefan Żeromski’s comedy, its premiere at Juliusz Osterwa and Mieczysław Limanowski’s Reduta and, above all, the discussion which began in the Warsaw press in 1925 and has been continued to this day. The author has identified and discussed some basic threads: the genology of the work, and its theatricality and ideology. Almost all critics of the interwar period got involved in the beginnings of the discussion, regardless of their experience and political orientation. Readers and theatre critics (incidentally, the play Uciekła mi przepióreczka came in literary and theatrical circulation almost at the same time) perceived a call for a new patriotism in the work, which Przełęcki was supposed to spread in the liberated Homeland. The formal shape of the work, too, contributed to calling it a masterpiece, while the quick death of the author transformed the comedy almost in a literary testament.
其他摘要：The author of the article has recalled Stefan Żeromski’s comedy, its premiere at Juliusz Osterwa and Mieczysław Limanowski’s Reduta and, above all, the discussion which began in the Warsaw press in 1925 and has been continued to this day. The author has identified and discussed some basic threads: the genology of the work, and its theatricality and ideology. Almost all critics of the interwar period got involved in the beginnings of the discussion, regardless of their experience and political orientation. Readers and theatre critics (incidentally, the play Uciekła mi przepióreczka came in literary and theatrical circulation almost at the same time) perceived a call for a new patriotism in the work, which Przełęcki was supposed to spread in the liberated Homeland. The formal shape of the work, too, contributed to calling it a masterpiece, while the quick death of the author transformed the comedy almost in a literary testament.
关键词：Stefan Żeromski’s dramas;Reduta;the history of drama reception;Przełęcki as a new hero;the ideology of the work
其他关键词：Stefan Żeromski’s dramas;Reduta;the history of drama reception;Przełęcki as a new hero;the ideology of the work
