摘要：This paper deals with sixteenth-century Mexican monastic architecture and art. Mexican monasteries were constructed all over the territory of New Spain (1635-1821) in relation to the need to evangelize the native American populations. The article discusses the place of this architecture and art in the historiography of the history of art taking into consideration the changes of paradigms and putting particular emphasis on anthropology and its approaches. In terms of method, it is interdisciplinary and combines synchronic and diachronic perspectives.
关键词：Mexico ; New Spain ; sixteenth century ; evangelization ; native American populations ; monasteries ; art ; interdisciplinarity ; history ; anthropology ; synchrony and diachrony
