摘要：In this study, I analyze the unmasking of the everyday living normality, its codes and norms, developed in Os anões (2010), by Veronica Stigger, at the same time that her writing creates an affective network which presents itself as a critical possibility associated with the experimental writing, able to interrupts some regulated flows of the social experience, and to point towards an ethics of the affects as a contemporary imperative in her work.
