摘要：Images are artistic experimentations that accompany humans since the dawn of history. They were created by man designating various senses, such as religious, social and cultural. Gradually the image went from a mere illustration, becoming a historical source, due to exposure fact that she shows. The culturalista approach to history was contributor to this rise as a source image. Thus, the critical reading of the image is crucial to understand the meanings of the work. One of the classic methods for reading images is the method iconological of Erwin Panofsky. To obtain an overall analysis of the work, the research methods of Carlo Ginzburg and the fundamentals of relational Aesthetics, Nicolas Bourriaud will be exposed in the text. The exchange of ideas between these three authors will be essential to the creation of a methodology capable of including the diferent senses of the image.
