出版社：Consejo Superior de Investigaciones Científicas
摘要：The music archive of Saragossa cathedrals keeps a collection of scores donated by the lawyer Juan Bernardón in 1868 (1858?). Although kept in an ecclesiastical context, they contain music of civil origin written mostly to be played by guitars, pianoforte —occasionally played by four hands— and other instruments, in different combinations for chamber music. The Bernardon Legacy, with a total of approximately six hundred compositions copied in the first half of the 19th century, is a relevant documentary collection, since it includes music from famous composers, such as Rossini or Clementi, along with others hardly known, as F. Algezer or J. Baron. This article presents for the first time, in a critical Edition, the unpublished waltzes of the latter.
其他摘要：The music archive of Saragossa cathedrals keeps a collection of scores donated by the lawyer Juan Bernardón in 1868 (1858?). Although kept in an ecclesiastical context, they contain music of civil origin written mostly to be played by guitars, pianoforte —occasionally played by four hands— and other instruments, in different combinations for chamber music. The Bernardon Legacy, with a total of approximately six hundred compositions copied in the first half of the 19th century, is a relevant documentary collection, since it includes music from famous composers, such as Rossini or Clementi, along with others hardly known, as F. Algezer or J. Baron. This article presents for the first time, in a critical Edition, the unpublished waltzes of the latter.
关键词：Antonio de Cabezón Cabezón Capilla de música Cuenca España Madrid Musicología México Música Siglo XIX Siglo XVIII Wagner Zaragoza Zarzuela música polifonía siglo XIX siglo XVIII Órgano ópera órgano Contenido de la revista Buscar
