出版社：Consejo Superior de Investigaciones Científicas
摘要：Exposition and comentary of organ fingerings from an anonymous treatise published in Madrid in 1649 (attributed to Tomás Gómez in Lorente's "El porqué de la Música"), denoting their similarity with the fingerings put forward by Hernando de Cabezón in 1578. Other interesting points made in this treatise are also summarized: instructions for choir conduction, seven syllable solfa without mutations, proportions. The treatise also shows the prevailing use of Spanish organ tablature ("cifra") in the seventeenth century, as well as the significance of Cabezón's works almost a hundred years after being printed.
