摘要：In the establishment of people’s lifestyles, places, and especially cities, have become central arenas for display and consumption, and have become part of the aesthetic experience itself. These changes have affected the composition of cultural capital, which may have then taken an urban dimension. Art museum visitors, often associated with highbrow culture, constitute an excellent case study to explore the links between cultural capital and place. Based on a survey of 1900 visitors of the six main museums of modern and contemporary art in Belgium, this article will focus on the distribution of the audience characterized by their cultural tastes and activities across the Belgian territory (through their postcodes). It shows that visitors mainly come from areas with high and moderate density and that the socio-demographic but also urban characteristics of their place of residence can be related to the way visitors’ cultural capital is composed. Yet, it also suggests that places like cities (just like museums) form meeting places, in which co-exist and interact different stories, different trajectories and, as this article shows, a multiplicity of lifestyles.
其他摘要：In the establishment of people’s lifestyles, places, and especially cities, have become central arenas for display and consumption, and have become part of the aesthetic experience itself. These changes have affected the composition of cultural capital, which may have then taken an urban dimension. Art museum visitors, often associated with highbrow culture, constitute an excellent case study to explore the links between cultural capital and place. Based on a survey of 1900 visitors of the six main museums of modern and contemporary art in Belgium, this article will focus on the distribution of the audience characterized by their cultural tastes and activities across the Belgian territory (through their postcodes). It shows that visitors mainly come from areas with high and moderate density and that the socio-demographic but also urban characteristics of their place of residence can be related to the way visitors’ cultural capital is composed. Yet, it also suggests that places like cities (just like museums) form meeting places, in which co-exist and interact different stories, different trajectories and, as this article shows, a multiplicity of lifestyles.
关键词：Museum visitors; Pierre Bourdieu; cultural capital; audiences; Belgium.
