摘要：In article Godard's movie "Farewell, the speech" is analyzed. The philosophy of the movie of Godard is constructed on opposition imagined and real. For Godard the reality is only an substantiated illusion, visibility. It is necessary to remove visible, he believes, but not real. Godard's movie fixes that in the modern world everything moved, displaced. In this world tell, but don't live. Godard shoots film not to tell stories and to release imagined from language. According to the author of article, it is impossible to tell, about what Godard's movie. In it one casual subject is replaced another. In Godard's movie there are three heroes – a dog, the man and the woman. The relations between the man and the woman in the modern world are that that it is difficult for them to understand each other without translator. The image of a dog conducts us in the kinizm, to return to the nature. Godard's movie leads the author to three conclusions. First, the European philosophy didn't understand that the person is not the nature, though it and a body, but it and not society though he also is able to speak. The person is a body for dreams. Therefore it can't return to the nature because the nature doesn't dream. Secondly, having got rid of the speech, we will find the fury of self-airs of the person unacceptable collective sensuality. And the last, Godard is right when says that only people can be strangers each other because they are free.
