摘要：The Master of Palanquinos is an anonymous late 15th century painter from the León area to whom numerous panels and altarpieces have been attributed. Working in a Hispano-Flemish style and with drawings of a characteristic aspect, he was of some importance in this diocese. Nevertheless not everything that has been attributed to him seems to have been produced in his workshop. This article examines the catalogue of the painter and identifies new artistic personalities from his milieu or chronology.
