期刊名称：Revista Brasileira de Cineantropometria e Desempenho Humano
印刷版ISSN：1415-8426
电子版ISSN：1980-0037
出版年度：2019
卷号：24
期号：56
页码：1-17
DOI：10.5007/1518-2924.2019.e65042
出版社：Univ Federal De Santa Catarina
摘要：Objective : To discuss the approximations between the concepts of performance, document, information and memory, in order to identify possible contributions of the action and results of recording to this art form. Methods : Research of theoretical nature, based on the concepts presented by Paul Otlet and Suzanne Briet (document), Ana Maria Camargo and Heloísa Bellotto (records/archives),Michael Buckland (information), Renato Cohen, Peggy Phelan, Jorge Glusberg and Regina Melim (performance) and Pierre Nora and Ulpiano Meneses (memory). Results : The notion of classical documentalists, although enlarged, does not abdicate the physical / durable materiality of documents. As performance has no such materiality, it cannot be considered document. In the scope of archival science, the performance is understood as the activity of the artist, not being, therefore, document. With regard to information, performance fits into the information-as-knowledge type, since it is an event. Concerning memory, performance is confronted by two wishes: that of resisting the history society and the social need for knowledge and permanence. Conclusions : It is understood that the documents that record the performance, instead of compromising the identity of this artistic manifestation, can broaden its possibilities of existence and resistance in the society of history.
关键词：Performance;Documento;Informação;Memória;Sociedade de história
其他关键词：Performance;Document;Information;Memory;Society of history
