摘要：In Aleksandr Sokurov’s films, Russian Ark ( Russkiy kovcheg , 2002) and Francofonia (id., 2015), the museums, the Hermitage in St. Petersburg and the Louvre in Paris, become protagonists. The mazy space of the museum, as a place where the great works of art in the world are preserved, is a temple of memory and past. But this wealth of knowledge is not seen by Sokurov exclusively as a treasure of artistic and historical culture and erudition, but also as a theater of the collective imagination of a country..
关键词：Sokurov; Cinema; Museum; History; Art;Sokurov; cinema; museo; storia; arte
