摘要：One of the places that, for more than a decade, has been a means not only of exhibition but also of financing projects arising from Spanish filmmakers whose work finds it difficult to fit into conventional cinemas is the museum and the exhibition halls. This migration of filmmakers to the museum is due to the crisis afflicting the film industry, especially in Spain. Our purpose in this text is to go beyond the analysis of the products resulting from these migrations to find the circumstances and discursive conditions in which these migrations take place. The Catalan filmmaker Albert Serra, whose work is characterised by rewriting and reworking and has been present at festivals, cinemas, museums and galleries, is an ideal figure to analyse how this is inserted in exhibition spaces. As we will argue, in his case, the category of «author» is useful to explain and promote his work..
关键词：cinema and the museum;Spanish Cinema;author;media filmmaker;Albert Serra;Cine y museo;cine español;autor;director mediático;Albert Serra
