摘要：In this paper, I will present some notes concerning remediation within the context of the small gauge film archive. Three major points will be at stake here: first, the interactions between the basic units of the analog and the digital – the grain and the pixel; second, the notion of a ‘systematic approach’; last, its application to the work we carried out at La Camera Ottica – Film and Video Restoration Lab (University of Udine). Part of my focus will concern Ugo Pilato’s Film Collection, a recently digitised amateur film collection from Gorizia (Italy).
