摘要：La comunicación de la ciencia en los museos responde a modelos comunicativos, implícitos o explícitos, que otorgan roles a los visitantes y a los curadores y que conllevan una posición sobre el status del conocimiento en construcción en el espacio museístico. El desarrollo de la exposición temporaria Un paseo por Bariloche en 1917: una recorrida que une fragmentos, historias e instituciones, creada en 2017 en el contexto del Museo de la Patagonia (Bariloche, Argentina), nos enfrentó al desafío de develar la forma de trabajar de la arqueología histórica urbana. Se diseñó una propuesta que interpelara al visitante a través de recursos museográficos diversos, con pocos objetos y un fuerte énfasis en la cartelería interpretativa. Adherimos así a la idea de un tipo de museo que comparte activamente el poder con la comunidad, considerando al fenómeno “museológico” como la producción de significados mediante el ordenamiento, conjugación y estructuración de los elementos de la exhibición propuesta.↓The communication of science in museums responds to communication models, either implicitly or explicitly, that assign certain roles to visitors and curators, that entail a position and an understanding about the knowledge status being constructed in the museum space. The process of development of the exhibition Walking around Bariloche in 1917: a tour that join together fragments, stories and institutions, was created in 2017 at the Museum de la Patagonia (city of Bariloche, Rio Negro Province, Argentina). The exhibition confronted us to the challenge of revealing the way in which urban historical Archaeology works. To this purpose, was designed an approach that interpellates the visitors through diverse museographic resources, with few objects and an emphasis in interpretative charts. We adhere to the idea of a model of museum, which enables an active search for sharing power with the community understanding the “museological” phenomenon as a production of meanings through the ordering, conjugation and structuring of the elements of the proposed exhibition.
其他摘要：The communication of science in museums responds to communication models, either implicitly or explicitly, that assign certain roles to visitors and curators, that entail a position and an understanding about the knowledge status being constructed in the museum space. The process of development of the exhibition Walking around Bariloche in 1917: a tour that join together fragments, stories and institutions, was created in 2017 at the Museum de la Patagonia (city of Bariloche, Rio Negro Province, Argentina). The exhibition confronted us to the challenge of revealing the way in which urban historical Archaeology works. To this purpose, was designed an approach that interpellates the visitors through diverse museographic resources, with few objects and an emphasis in interpretative charts. We adhere to the idea of a model of museum, which enables an active search for sharing power with the community understanding the “museological” phenomenon as a production of meanings through the ordering, conjugation and structuring of the elements of the proposed exhibition.
