摘要：César Vallejo es fiel e infiel a la fábula de tradición que ha decidido acoger y mantener con vida. Tal vez por ello en Los heraldos negros se despliega un «verso gris» seducido por la dinámica de los trayectos. Su presencia conecta sugerentemente el primer libro con la obra poética ulterior del poeta legatario.
其他摘要：César Vallejo is both faithful and unfaithful to the fable of tradition that he decided to embrace and keep alive. Perhaps this is why in Los heraldos negros he unfolds a «gray verse», seduced by the dynamics of the trajectories. This presence suggestively connects his first book with his later poetics as poet who is legatee of a tradition.
