摘要：Two years after Shanghai Power Station of Art's "Yona Friedman. Mobile Architecture" (2015), Rome's MAXXI Museum displays the work of this giant of architectural theory, adding the importance of the people and of the individual within Yona Friedman's design proposals. The outcome is a cheerful and ironic exhibit through Friedman's architecture and thoughts.
其他摘要：Two years after Shanghai Power Station of Art's "Yona Friedman. Mobile Architecture" (2015), Rome's MAXXI Museum displays the work of this giant of architectural theory, adding the importance of the people and of the individual within Yona Friedman's design proposals. The outcome is a cheerful and ironic exhibit through Friedman's architecture and thoughts.
