期刊名称：Espacio, Tiempo y Forma. Serie I, Prehistoria y Arqueología
印刷版ISSN：1131-7698
电子版ISSN：2340-1354
出版年度：2018
期号：11
页码：75-100
DOI：10.5944/etfi.11.2018.22401
出版社：Universidad Nacional de Educación a Distancia (UNED)
摘要：Gran parte de los retratos imperiales procedentes de Tarragona han sido objeto de atención por parte de diversos investigadores en los últimos años, aunque siempre por separado. El resto no han sido tenidos en cuenta en la crítica arqueológica. Estas razones hacen necesaria una valoración global relacionada con la puesta al día de este nutrido conjunto. En este trabajo se aporta una primera recopilación. Asimismo, se ofrece una revisión sobre los talleres de producción de este conjunto de retratos, encuadrándolos en el marco de la producción escultórica de Tarraco en general. Además, en estrecha relación con el aspecto anterior, se ha prestado una especial atención a diversas peculiaridades que permiten constatar determinadas técnicas de elaboración. Estas consideraciones han permitido relacionar aspectos técnicos concretos con períodos específicos, lo cual permitirá profundizar en aspectos como el lugar de exposición original y acotar las dataciones. Most of imperial portraits from Tarragona have been taken into account by different researchers in recent years, but always separately. However, a number of them have not been considered recently in the bibliography. These reasons make necessary an overall assessment related to the update of this large set of portraits. This work provides a first assemblage. It also offers a review on production workshops of the imperial portraits, that have been analyzed in the framework of the general sculptural production of Tarraco. In addition, special attention has been paid to various peculiarities which make it possible to discover certain elaboration techniques. These considerations have allowed to relate specific technical aspects with concrete periods. These reflections will allow to deepen in aspects like the original place of exposure and to limit chronologies of the portraits.
其他摘要：Most of imperial portraits from Tarragona have been taken into account by different researchers in recent years, but always separately. However, a number of them have not been considered recently in the bibliography. These reasons make necessary an overall assessment related to the update of this large set of portraits. This work provides a first assemblage. It also offers a review on production workshops of the imperial portraits, that have been analyzed in the framework of the general sculptural production of Tarraco. In addition, special attention has been paid to various peculiarities which make it possible to discover certain elaboration techniques. These considerations have allowed to relate specific technical aspects with concrete periods. These reflections will allow to deepen in aspects like the original place of exposure and to limit chronologies of the portraits.
关键词：Talleres;técnicas escultóricas;retratística imperial;época julio;claudia;siglo II;Workshops;sculptural techniques;imperial portraiture;Julio;Claudian period;second century A.D.
其他关键词：Workshops;sculptural techniques;imperial portraiture;Julio-Claudian period;second century A.D.
