期刊名称：Harmonia: Jurnal Pengetahuan dan Pemikiran Seni
印刷版ISSN：1411-5115
出版年度：2015
卷号：15
期号：2
页码：107-112
DOI：10.15294/harmonia.v15i2.4557
语种：English
出版社：Universitas Negeri Semarang
摘要：There are two types of topeng drama performance (topeng is Bahasa Indonesia for mask) in Bali;Topeng Pajegan and Topeng Panca.Topeng Pajegan is a masked drama performance that is danced by a dancer by playing various tapel;while Topeng Panca is danced by five dancers.Generally;there are three or four stages on topeng performance;i.e.panglembar;petangkilan;bebondresan;and/or pesiat.On panglembar stage;there is one dance represented the character of old people.The dance is then known as Topeng Tua (Old Mask).The costume;tapel;as well as hair worn by the dancer have been considered as one of the precious or noble artworks.The question comes up here;is the aesthetics of topeng only depended on its high aesthetic value costume and tapel? Topeng Tua performance technique is considerably not easy to be done by a beginner dancer.On the other words;it implicitly tells that the aesthetics of the dance depends closely to the dancers'techniques.A good Topeng Tua dancer will be able to dance by using the technique of ngigelang topeng.Furthermore;the beauty of Topeng Tua does not only lay on its splendor artworks on the costume;tapel;and hair colour;but more to the ability of the dancers'movement technique that successfully shows the beauty of taksu and pangus.
