摘要：The article analyzes features of parodic discourse of Barbieri's novel Epitaph of a Royal Gourmet through L. Hutcheon‟s theoretical concepts. It explores different parodic subversive strategies (parody of the diary genre,problematizing of the fictionality of historiographic representation,interpolating of gastronomical subliterary genres) through which ambivalent politics of postmodern representation are manifested in this novel..
其他摘要：U radu se analiziraju obiljeţja parodijskoga diskurza u romanu V. Barbierija Epitaf carskog gurmana,oslanjajući se na teorijske postavke L. Hutcheon. Istraţuju se različite parodijske subverzivne strategije (parodiranje dnevničkoga ţanra,problematiziranje
