摘要：This article is an out put of practice-based research in third years,that aims explored contemporary paintings creation based on iconographic of Yeh Pulu reliefs. Paintings creation follows two steps: an iconographical analysis has discovered a concept,and created a contemporary painting based on studio experimentation. In analysis process used Panofsky’s iconology theory follows three levels: pre-iconographic,iconographic analysis,and iconological analysis. This article wishes iconological interpretation (analysis) that investigates the meaning of motifs,symbols,and allegories in their culture contexts (D’Alleva,2005). Interpretation has discovered a concept of a new metaphor,that heroism of common people. In contemporary painting creation process,a new metaphor created by three aesthetical approaches: reframing,recasting,and globalizing. Means,the iconic figures of Yeh Pulu reliefs reframed into new landscape,moved the ancient into recent time, as well as mobilized into global spaces.
其他摘要：Artikel ini merupakan luaran penelitian terapan tahun ketiga,bertujuan untuk mengungkap penciptaan seni lukis kontemporer berbasis ikonografi relief Yeh Pulu. Penciptaan seni lukis dilakukan melalui dua tahap: analisis ikonografi untuk menemukan konsep,da
关键词：Yeh Pulu reliefs;iconology;new metaphor;and three aesthetical approaches
