摘要：The purpose of the article is to take a look at the work of the famous Ukrainian conductor and composer Yaroslav Barnych, to substantiate its importance in the affirmation of national traditions in music culture. The study used the following methods: systemic, associated with the construction of systematic research; theoretical and practical approaches have helped to carry out a thorough study of the artist’s creative work; retrospective, system-typological and comparative analysis was also used, which allowed revealing the top issues of the composer’s creative research. There are the following tasks in accordance with the purpose: to explore the composer’s creative work, his activity in Ukraine and abroad; to open new stages of development of Ukrainian art; to consider the influence of the artist’s creative work on the development of Ukrainian and world music culture and art. The scientific novelty of the work is to systematize information about the scientific and creative achievements of the artist, to find out his contribution to the music art, and to popularize Ukrainian music abroad. Conclusions. The activity of Yaroslav Barnych had a significant influence on the formation of the Ukrainian music culture of the late 19th - early 20th centuries. In his work, the composer composed music of the “light” genre, creating popular tango songs, where he combined songs with tango elements and rhythms. As a result of the study of Yaroslav Barnych’s creative heritage, it has been found that the composer’s achievements are not well-researched within national art history, and his works have not lost their relevance, which is confirmed by the desire to revive the creative achievements of Yaroslav Barnych in contemporary art and culture. In 2019, the Ukrainian musical film (directed by O. Demianenko) was shot based on the operetta Hutsulka Ksenia (Ksenia the Hutsul Girl).
其他摘要：Мета статті – розглянути творчість українського диригента й композитора Ярослава Барнича, обґрунтувати її значення в утвердженні національних традицій у музичній культурі. У дослідженні використано такі методи: системний, пов’язаний із побудовою системног
