期刊名称：Celt: A Journal of Culture, English Language Teaching & Literature
印刷版ISSN：1412-3320
电子版ISSN：2502-4914
出版年度：2003
卷号：3
期号：2
页码：144-158
DOI：10.24167/celt.v3i2.1092
语种：English
出版社：Soegijapranata Catholic University
摘要：Wayang kulit or shadow puppet theater performance has been greatly changing. Changes occur in many aspects such as in terms of the duration or length of the performance, its structure, the number of dalang who performs it.as well as the number of female singers (sindhen or waranggana; who accompany the dalang. Consequently, now wayang kulit performance is seen more as tontonan (entertainment) than as tuntunan (moral teachings). One of the main factors of this big change is the intrusion of western culture into Indonesia in general and Java in particular. This results in the reluctance of the young, especially, in watching this form of traditional art. Therefore, the change(s) in the performance of wayang kulit or shadow theater is one of the efforts to make this form of traditional art survive.
关键词：wayang kulit performance; traditional art; Javanese culture; tuntunan (moral teachings); tontonan (entertainment)
