摘要：In this paper, we have explored the possibility of assigning the humanthemed engravings from La Marche to their authors, according to the method outlined by J.M. Apellaniz in the 1980s. The method employed here follows the first of the three stages postulated by Apellaniz: macroscopic observation, microscopic analysis and experimental protocol. From our study emerged a pattern of five groups and sixteen hands at work in this site. We believe, therefore, that it is possible to speak of La Marche as an “art workshop”, where portable art was produced and taught.
关键词：Magdalenian art ; portable art ; La Marche ; authorship ; attribution
