摘要：During the twentieth century there were numerous productions of Gabriele d’Annunzio pastoral tragedy La Figlia di Iorio . Interpretations of the text have been offered in particular in the field of director’s theatre, with diverse outcomes. This article analyses the theatre productions presented in Italy by Luigi Squarzina (1957), Paolo Giuranna (1972), Giancarlo Cobelli (1973) and Roberto De Simone (1982). They were directors who, through their work, confirmed the extraordinary vitality of d’Annunzio’s text as an inexhaustible source of new interpretative stimuli.
