摘要：The home of the humanistic spirit of painting is the author’s self-soul question as an art practitioner, Also, the artistic pursuit of the spirit of reflection in the painting works in practice. This article discusses the idea that painting is the mother of language, and language is a rational symbol of painting, painting is the perceptual manifestation of ideas, and the root of Chinese painting is the humanistic spirit. It advocates the return of the humanistic spirit of Chinese painting., and taking Yao Luo’s art as an example. It discusses that the artistic practice of the return of the humanistic spirit of painting, and propose the idea that artists can only create art that is needed by the times if they combine artistic practice with the inherent, and blend Chinese-Western culture with forward-looking humanistic spirit.
