期刊名称：Documentación de las Ciencias de la Información
印刷版ISSN：1988-2890
出版年度：2014
卷号：36
页码：103-123
DOI：10.5209/rev_DCIN.2013.v36.42944
出版社：Servicio de Publicaciones de la Universidad Complutense
摘要：In this paper, besides reviewing the traits and the antecedents of contemporary documentary photography, two examples of this photographic genre will be seen.They took place in two very different countries (U.S.and Spain) at the same time: the eighties of the XX century.It is, firstly, the work of Mary Ellen Mark, who opted for a documentary on the line of the concerned photographers , and Miguel Trillo who photographed the Spanish youth when urban tribes real represented identities defined within a Spanish society immersed in democracy and freedom of expression.
其他摘要：In this paper, besides reviewing the traits and the antecedents of contemporary documentary photography, two examples of this photographic genre will be seen. They took place in two very different countries (U.S. and Spain) at the same time: the eighties of the XX century. It is, firstly, the work of Mary Ellen Mark, who opted for a documentary on the line of the concerned photographers, and Miguel Trillo who photographed the Spanish youth when urban tribes real represented identities defined within a Spanish society immersed in democracy and freedom of expression.
关键词：Fotografía documental;Mary Ellen Mark;documentalismo contemporáneo;Miguel Trillo.
其他关键词：Documentary photography;Mary Ellen Mark;Contemporary documentary;Miguel Trillo.
