摘要：This article presents results obtained in research focused on the photochemical and digital supports that capture cinematographic images. Specifically, the results that are presented are in relation to a definition of one concept: texture. In this sense, this article starts describing the cinematographic acquisition current context before the paradigm change produced by the arrival of digital cameras. After that, the article focuses on the theoretical parameters, methodology and instruments used in the research. Finally, the results about the definition of "texture" are presented by three approximations marked by the phases of the research. In the first place, a proposal arising from the bibliographic analysis of technical literature of the cinematographic sector; secondly, a proposal based on the analysis of ten in-depth interviews with directors of photography; and finally, a definition of the concept "texture" delimited and focused on the world of film acquisition.
关键词：Image; texture; photochemical; digital; film image
