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  • 标题:Writing with Automated Machines: Between Translation and Sabotage
  • 本地全文:下载
  • 作者:Ana Marques
  • 期刊名称:MatLit : Materialidades da Literatura
  • 电子版ISSN:2182-8830
  • 出版年度:2018
  • 卷号:6
  • 期号:3
  • 页码:73-81
  • DOI:10.14195/2182-8830_6-3_6
  • 出版社:Universidade de Coimbra
  • 摘要:A generative text is a system constituted by non-conscious and conscious cognizers, digital and analogue processes, and mathematical and linguistic modes of representation. But how do algorithms cognize? And how is meaning constructed in a system where authorial intentions and readers’ experiences and interpretations are mediated by algorithmic agents? Through the analysis of How It Is In Common Tongues (Cayley and Howe, 2012), I intend to discuss the tensions that arise from the encounter between algorithmic and human cognition, and between the regimes of information and expression. Drawing on Katherine Hayles’ view on the cognitive non-conscious and Claude Shannon’s information theory I will start by establishing a distinction between information and meaning, between communication and expression, and between the regimes of information and of the literary. To reflect on the political ecology of digital mediation (situated in the informational regime of cybernetics), I will consider Matteo Pasquinelli’s perspective on the co-evolution of technology and economics, and discuss how algorithmic cognitive processes embody and reinforce the structures of contemporary cognitive capitalism. Finally, I will discuss the strategies of resistance enabled by aesthetic approaches to computation, such as the ones explored in this case study.
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