期刊名称：Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
印刷版ISSN：2083-7275
电子版ISSN：2391-4432
出版年度：2018
卷号：2
期号：10
页码：100-115
DOI：10.24917/20837275.10.2.8
出版社：Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
摘要：Based upon the novel Teatr w więzieniu [Theatre in Prison] (1921), the author has described various methods for defining this category. This institution develops its own ceremonial. Therefore, a performance in prison appears to be a parody of it, to be one of the shows – along sports competitions and circus performances – but also a method for defining interpersonal relations, as the characters, depicted as expert actors, precede Witold Gombrowicz’s interactive people. Słonimski also ponders the consequences of the change in the hierarchy of arts, as theatrum mundi is replaced by cinematograph. However, the projected images, referencing Plato’s cave, increase the sense of alienation. It is becoming progressively more evident that such a world transforms into a prison.
关键词：Antoni Słonimski; the novel Teatr;więzieniu [Theater in Prison]; theatrum mundi; theatralical awareness; the anthropology of performance
