摘要：Pensar o teatro de hoje implica reconhecer sua crise, ou submeter à ideia da representação a um juízo teórico-histórico. Este artigo e um exercício de revisar o critério de teatro fechado em si mesmo e propor mecanismos de apertura para a teatralidade contemporânea, baixo o concepto de artes cênicas.
其他摘要：To figure out what theatre is nowadays, implies to acknowledge the fact of its own crisis, which means that the very idea of representation must undergo an historical and theoretical judgment. Therefore, this article constitutes an exercise of revisiting the very concept of a theatre locked within itself, as well as of proposing the right mechanisms to open and free the contemporary theatre through the concept of scenic arts.
