期刊名称：De Zeventiende Eeuw: Cultuur in de Nederlanden in Interdisciplinair Perspectief
印刷版ISSN：0921-142X
电子版ISSN：2212-7402
出版年度：2014
卷号：30
期号：2
页码：168-184
DOI：10.18352/dze.9933
摘要：Theodore Rodenburgh has been a controversial author in academic research and, as a result, his Vrou Iacoba (1638) has been neglected for many decades. This article addresses and demonstrates how Rodenburgh lets his own main character, Jacqueline of Bavaria, sing on stage. The article offers an interpretation of her songs and argues that, according to Rodenburgh, Jacqueline was not to blame for the loss of her counties to Philip of Burgundy. The songs are a way to create a so-called emotional community within the audience. By the means of a catharsis, this newly formed community is warned for the Republic's possible loss of its sovereignty, since the war with Spain had not yet ended in 1638. The citizens in Vrou Iacoba did not accept their loss of sovereignty, and neither should the people of the Republic.
关键词：Rodenburgh;theatre songs;Jacqueline of Bavaria;Philip of Burgundy;emotional community;catharsis;Amsterdam Theatre;
