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  • 标题:History and Theory of Musical Writing as an Academic Discipline
  • 其他标题:История и теория музыкальной письменности как учебная дисциплина
  • 本地全文:下载
  • 作者:Stanislav E. Englin
  • 期刊名称:Музыкальное искусство и образование
  • 印刷版ISSN:2309-1428
  • 出版年度:2019
  • 卷号:7
  • 期号:1
  • 页码:95-106
  • DOI:10.31862/2309-1428-2019-7-1-95-106
  • 出版社:Moscow Pedagogical State University, Federal State Budgetary Educational Institution of Higher Education
  • 摘要:The article outlines the reasons why the modern musicologist must be competent in matters of history and theory of a notation. Results of research of the systems of graphical writing of music are proposed to be used in educational purposes. This is due to the fact that the notation is reflected some of the most important features of the musical thinking of the era of its formation. Therefore, knowledge of specific types of music semiography is a tool of obtaining objective data on the deep principles of music of the specific historical period (time of creation and at least, the initial existence of this notation). The interconnected subjects analyze the study of the notation and the basic tasks of musicology. Introduction of training course of music semiography be seen in the light of the multidimensional problem of music education and science. It is concluded that the implementation of educational subject “History and theory of musical writing” provided the coordination of efforts of scientists aimed at creating a modern concept of semiography, contributes to the attainment the essence of musical writing on the basis of generalization of the results of semiography studies. In turn, this will be a significant step on the path of knowledge absolutely patterns, reflected in the variety notations.
  • 关键词:музыкальное образование; теория и история музы- кальной письменности; музыкальная семейология; музыкальная логи- ка нотации; музыкальное мышление; античная нотация; музыкаль- ное антиковедение.
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