摘要：The third season of Twin Peaks is chock full of uncanny, disturbing – and disturbingly humorous – doubles, most notably of its central character, played by Kyle McLachlan. This article argues that the series itself is also a kind of double, because it takes advantage of the almost unique situation in which a beloved show is continued after a quarter-century absence to superimpose itself on the new versions of Twin Peaks its fans have fantasized in the interim. Through close readings, I critically examine the ways that The Return does this and explore the different – and often mutually incompatible – interpretive strategies that it thereby encourages. I argue that the series ultimately achieves a paradoxical fidelity to its predecessor precisely through the liberties and calculated risks that it takes with its own heritage.
