期刊名称：Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
印刷版ISSN：2345-1408
电子版ISSN：2345-1831
出版年度：2019
卷号：34
期号：1
出版社：Notograf Prim
其他摘要：The motif form, from the semantic point of view, implies both the composition motif itself and the social-historical and cultural context: the implosion of the musical motif and its formal consequence determine a constant whose foundation is timelessness; it contains both the rhythmic-melodic implosion and a conceptual essentialization that determine the form of the sound event. The chosen examples are just a test for Quod erat demonstrandum, which is also an implosive miniature creation, in which the total show of the renewal is conceptually reconfigured. A possible musical guide marking ante and post Ḗrik Satie, the „classic” avant-gardists of modernity, events, can be mentioned, modernity itself being a modo hodiernus of every age.
