期刊名称：eari. educación artística. revista de investigación
印刷版ISSN：2254-7592
出版年度：2019
期号：10
页码：184-197
DOI：10.7203/eari.10.14430
出版社：eari. educación artística. revista de investigación
摘要：El presente artículo trata de aproximarnos a la realidad representativa de las mujeres tanto en la historia del arte como en el escenario de las instituciones museísticas, desde una perspectiva de género. Emprenderemos un viaje a través de la historia, deambulando por las entrañas que estructuran la esfera cultural, observando las bases del discurso androcentrista que prevalece, aun hoy en día, en la realidad expositiva de los museos. Recorreremos la historia del arte, contemplando las múltiples y diversas representaciones que ha tenido la figura femenina a lo largo de la historia, además de la mirada del artista creador, quien ha perfilado la imagen de la mujer bajo su criterio, imponiendo unos estereotipos y roles que se han repetido a lo largo de los siglos. Transitaremos por las teorías desde un posicionamiento crítico en términos feministas, para descubrir la ausencia de las artistas en el arte y en el contexto de las instituciones culturales. Revisaremos las acciones y nuevas miradas que se han planteado a lo largo de los últimos años, para cuestionar la ausencia de figuras femeninas como sujetos activos y creadores, con el fin de alcanzar la inclusión de la mujer en ámbito artístico y cultural y así mismo, crear nuevos mapas cognitivos desde la igualdad de oportunidades y la recuperación de la memoria de las artistas, que han sido invisibilizadas en nuestra historia.
其他摘要：This article tries to approach the representative reality of women both
in the history of art and in the setting of museum institutions, from a gender
perspective. We will embark on a journey through history, wandering through the
core that structures the cultural sphere, observing the foundations of the androcentric
discourse that prevails, even today, in how museums show themselves. We will go
through the history of art, contemplating the multiple and diverse representations
that the female figure has had throughout history, as well as the creative artist, who
has shaped the image of women according to his criteria, imposing stereotypes and
roles that have been repeated over the centuries. We will go through the theories from
a critical position in feminist terms, to discover the absence of artists in art and in
the context of cultural institutions. We will review the actions and new perspectives
that have been proposed over the last few years, to question the absence of female
figures as active and creative subjects, in order to achieve the inclusion of women
in the artistic and cultural sphere and also, to create new cognitive maps from the
equality of opportunities and the recovery of the memory of the artists, that have
been made invisible in our history.
关键词：Museos; género; mujeres; representación; feminismo; Abstract This article tries to approach the representative reality of women both in the history of art and in the setting of museum institutions; from a gender perspective; We will embark on a journey through history; wandering through the core that structures the cultural sphere; observing the foundations of the androcentric discourse that prevails; even today; in how museums show themselves; We will go through the history of art; contemplating the multiple and diverse representations that the female figure has had throughout history; as well as the creative artist; who has shaped the image of women according to his criteria; imposing stereotypes and roles that have been repeated over the centuries; We will go through the theories from a critical position in feminist terms; to discover the absence of artists in art and in the context of cultural institutions; We will review the actions and new perspectives that have been proposed over the last few years; to question the absence of female figures as active and creative subjects; in order to achieve the inclusion of women in the artistic and cultural sphere and also; to create new cognitive maps from the equality of opportunities and the recovery of the memory of the artists; that have been made invisible in our history; Keywords Museums; gender; women; representation; feminism; DOI http//dx;doi;org/10;7203/eari;10;14430
