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  • 标题:Matrimonijski performativ u Robinji Hanibala Lucića
  • 其他标题:Matrimonial Performativ in Hanibal Lucić’s Slave Girl
  • 本地全文:下载
  • 作者:Grmača, Dolores ; Olujić, Ivana
  • 期刊名称:Hvar City Theatre Days
  • 印刷版ISSN:1849-0158
  • 电子版ISSN:1849-0255
  • 出版年度:2020
  • 卷号:46
  • 期号:1
  • 页码:168-194
  • 出版社:Hrvatska akademija znanosti i umjetnosti i Književni krug Split
  • 摘要:U teorijskom okviru govornih činova sagledat će se etape sklapanja braka sadržane u Lucićevoj drami. U književnoj historiografiji redovito se ističe da nakon posteljnog obreda, kojim se dokazalo Robinjino djevičanstvo, započinje obred vjenčanja, te se postavlja pitanje bi li Derenčin i Robinja stupili u brak da ona nije bila nevina. U ovom se radu nudi novo čitanje Lucićeve drame i argumentira da su Derenčin i Robinja sklopili brak prije posteljnoga obreda i završne svečane scene, te da nevinost uopće nije postavljena kao uvjet. U razumijevanju toga što se zapravo događa na sceni u Lucićevoj prilično statičnoj drami ključno je upravo govorno djelovanje, tj. matrimonijski je performativ odgovoran za oblikovanje radnje, njezina zapleta i raspleta. Robinja je jedna od prvih europskih ljubavnih drama prošnje i scenske ženidbe, štoviše, to je drama o idealnom modelu braka sklopljenom iz ljubavi, braka shvaćenog kao susret dviju volja usuprot dominantnom modelu braka koji je rezultat obiteljskog sporazuma mimo volje mladenaca.
  • 其他摘要:In this paper, the wedding ceremony stages contained in Lucić’s drama will be observed through the theoretical framework of speech acts. In literary historiography, it is regularly pointed out that after the bedding ceremony, which proved Slave-Girl’s virginity, the wedding ceremony begins, and one wonders whether Derenčin and Slave Girl would even marry if she were not a virgin. This paper offers a new reading of Lucić’s drama and argues that Derenčin and Slave Girl married before the bedding ceremony and before the final festive scene, and that virginity was not a requirement at all. Speech acts are actually key to understanding what is actually happening on the scene in Lucić’s rather static drama, i.e. the matrimonial performative is responsible for shaping the action, its plot and its outcome. The Slave Girl is one of the first European love dramas of proposal and stage marriage; moreover, it is a drama about an ideal model of marriage made out of love, a marriage understood as a meeting of two wills versus a dominant model of marriage resulting from a family agreement beyond the will of the newlyweds.
  • 关键词:Lucić; Hanibal; Robinja; teorija performativa; sklapanje braka
  • 其他关键词:Hanibal Lucić; The Slave Girl (Robinja); performative; making a marriage
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