出版社：Hrvatska akademija znanosti i umjetnosti i Književni krug Split
摘要：Iako se Slamnigov radiodramski opus može promatrati kao svojevrsna produžena ruka njegove proze, donekle i poezije, u ovom će se radu putem ograničene radiofonske optike zvuka i dijaloga pokušati povezati njegovih jedanaest radiodrama, sabranih u Firentinskom capricciu (1987.), s revolucijom dramaturške strukture pedesetih i šezdesetih godina prošlog stoljeća (Rodger 1982: 5). Karakteristično slamnigovsko kreativno pomirenje konvencije i inovacije, tradicije i moderniteta (Maroević 2019: 40) duboko je uronjeno u poseban model jezika.
其他摘要：Although Slamnig’s radio dramatic work can be analysed as an extension of his prose, and somewhat even poetry, this paper will try to connect his eleven radio dramas, collected in the »Firentinski capriccio« (1987) with the revolution of dramaturgical structure in the 50’s and 60’s of the past century (Rodger 1982: 5), through limited radiophonic optics and dialogue. Slamnig’s famous creative reconciliation of convention and innovation, tradition and modernity (Maroević 2019: 40) is deeply implanted into special form of language.
关键词：Ivan Slamnig; radiodrama; nova dramaturgija; jezik
其他关键词：Ivan Slamnig; radio drama; new dramaturgy; language
