其他标题：Raziskujem odnos med strukturo in teksturo v okviru likovne površine,odnos med èrto in ploskvijo,svetlim in temnim,odgovore išèem znotraj polja pastoznih nanosov in/ali vibrantnega izraza. Takšno razumevanje likovnosti smatram tudi kot mono izhodišce za o
摘要：The artist approach to composition solutions is remarkably personal and is therefore a unique presentation technique,differing considerably from the recurrent and repetitive computer-designed drawing with their massive production. My research,as well as experiments and tests,aim at a deeper understanding of fine-art problems which may represent a means of (partial) presentation of an architectural and fine-art problem. My fine-art activity could be regarded either as analysis of fine-art primary elements,artistic drawing or original graphics. Its chief aim is the study of the form accompanied by the artistic expression. I have therefore been using simple tools and have decided for manual blind impressions. The water-colour technique,my initial drawing technique,has gradually been replaced by the acrylic one. The shadows in my white graphics may be enriched either by a gradual introduction of the line element,represented by the hemp and its natural,neutral grey quality,followed by a cardboard application,or by using flaxen paper as the basis of the composition. In my composition,I have been aiming to obtain axis symmetry,or using the asymmetrical approach. I have been using a modified approach in my introductory sessions with first-year students in order to establish,with the help of their application of soft or hard lines and rational or "casual" compositions,the students' inclination to various forms or ways of expression. The above-mentioned perception of design may be used as the starting point for the course on Projecting and composition. Its application is even more acceptable at various workshops,for it allows unconventional approaches to various topics.
其他摘要：Slikarski pristop v reševanju kompozicije je izrazito oseben in enkraten naèin prezentacije,za razliko od danes obièajne mnoiène, vedno med seboj podobne si,ponavljajoèe se raèunalniške risbe. Pri raziskovanju (tudi eksperimentiranju,preizkušanju) gre za
