期刊名称：Series - International Journal of TV Serial Narratives
印刷版ISSN：2421-454X
出版年度：2017
卷号：3
期号：2
页码：31-42
DOI：10.6092/issn.2421-454X/7610
出版社：Dipartimento delle Arti - Alma Mater Studiorum - Università di Bologna
摘要：This article makes a case for the academic soundness of reading together several television shows by the same showrunner. Zeroing in on the case of David Simon, the essay traces the difficulties that one faces if one aims to view together The Corner , The Wire , Generation Kill , Treme , Show Me a Hero and The Deuce . It also aims to point out the reason how one can study an oeuvre without overemphasizing the agency of the individual in a highly collaborative medium. To that end, the article considers how intellectual historian Quentin Skinner’s concept “the mythology of coherence” can help qualify some of the issues with reading several television series together. The article further argues that television scholar Erlend Lavik’s term “focused overarching authorship” supports the validity in trying to tease out a collected vision in Simon’s television serials. For while David Simon is a sine qua non for the programs he has served as the showrunner on, the paper argues that it is crucial that we do not let all textual components point back to Simon as the originator of the textual utterance.
关键词：showrunners; the showrunner approach; David Simon; authorship; auteur
