摘要：In the late twenties, Ernesto Giménez Caballero became a binder of all avant-garde movements through his magazine La Gaceta Literaria, his Cinema-club, his shop La Galería and his own creations. His eagerness for knowledge and prominence prompted him to travel and contact leading European people and institutions in terms of art and architecture of the Modern Movement, and he even wrote in the magazine published by the Bauhaus school. His adherence to fascist ideology in the 1930s led him to disown and even hide past experiences.
