出版社：Dipartimento delle Arti - Alma Mater Studiorum - Università di Bologna
其他摘要：The article examines the different versions of Schubert's Choral Lied on a text by Goethe Gesang der Geister über den Wassern, focusing mainly on the final version for male octet and string ensemble. The investigation starts with a semantic-morphological analysis of the verbal text and then concentrates on the solutions Schubert experimented with in an attempt to produce a setting as close as possible to the spirit of Goethe’s text.
