期刊名称：Series - International Journal of TV Serial Narratives
印刷版ISSN：2421-454X
出版年度：2020
卷号：6
期号：1
页码：77-90
DOI：10.6092/issn.2421-454X/10455
出版社：Dipartimento delle Arti - Alma Mater Studiorum - Università di Bologna
摘要：Using the HBO/Rai co-production My Brilliant Friend as a case study, this essay addresses the understudied arena of casting, particularly in relation to the creation of the “authentic stardom” of the child and adolescent nonprofessional performers. Drawing from personal interviews with Laura Muccino and Sara Casani, two of Italian television’s most important casting directors, excerpts of which are included throughout the essay, I consider the gendered practices of casting in relation to Muccino and Casani’s epic search for the four nonprofessional child and adolescent girl performers who made the characters from the novel come to life. I focus on the casting and reception of the child and adolescent female actors in the series. In particular, this essay engages with performances of adolescence, as these performances relate to the productions’ desire to represent an authentic experience of youth in postwar Italy that is exported to transnational audiences.
其他摘要：Using the The HBO/Rai co-production My Brilliant Friend as a case study, this essay addresses the understudied arena of casting, particularly in relation to the creation of the “authentic stardom” of the child and adolescent nonprofessional performers. Drawing from personal interviews with Laura Muccino and Sara Casani, two of Italian television’s most important casting directors, excerpts of which are included throughout the essay, I consider the gendered practices of casting in relation to Muccino and Casani’s epic search for the four nonprofessional child and adolescent girl performers who made the characters from the novel come to life. I focus on the casting and reception of the child and adolescent female actors in the series. In particular, this essay engages with performances of adolescence as these performances relate to the productions’ desire to represent an authentic experience of youth in postwar Italy that is exported to transnational audiences.
关键词：Casting; television; My Brilliant Friend; nonprofessional performers; authenticity
