标题：Susana Muñoz, ympressora de los libros de musica, y el Libro de canto de misas y magnificas y motetes y una salue (Salamanca, 1620) de Diego de Bruceña
出版社：Consejo Superior de Investigaciones Científicas
摘要：Among its many treasures, the Cathedral of Miranda do Douro in the district of Bragança in Portugal houses the only known exemplar of Diego de Bruceña’s book of polyphony (Salamanca: Antonio Vázquez, 1620). This choirbook preserves the most significant body of the works of a composer whose compositions were thought to be almost entirely lost. Close study of the choirbook allows us to construct a more detailed and nuanced understanding of the printing of sacred music, and especially the printing of polyphonic choirbooks, in Salamanca in the first decades of the 17th century. A central rôle in the printing of the choirbook was played by Susana Muñoz, an enterprising business woman who, through successive strategic marriages to key figures in Salamanca’s thriving printing trade, built a firm that in the period 1602 to 1625 issued more than 120 titles. This article seizes the occasion of the 400th anniversary of the choirbook’s production to introduce Bruceña’s choirbook within the wider context of music printing in Salamanca in the period 1607-1620, and to sketch the broader contours of the contribution of Susana Muñoz, the three husbands with whom she worked, and all of whom she survived.
关键词：Diego de Bruceña (1567-1623);Susana Muñoz (fl;1580-1625);polifonía;imprenta musical;música española siglo XVII
