出版社：National Research University Higher School of Economics
摘要：Musical sociology is perhaps the only discipline among the many sociologies of the arts that attempts to construct its identity and to propose a kind of general research program. There is a set of common theoretical and methodological problems which have been discussed for the last couple of decades which can be traced back to the studies of Max Weber and Teodor Adorno, and are considered to be the classics of the theoretical sociology of music.
