期刊名称：Anastasis: Research in Medieval Culture and Art
印刷版ISSN：2392-862X
电子版ISSN：2392-9472
出版年度：2020
卷号：7
期号：1
页码：160-163
DOI：10.35218/armca.2020.1.11
语种：French
出版社：Artes
摘要：What is the place occupied today by the interpretations dedicated to the world of symbols, after having had so many studies on this topic in the past decades marked by opinions, beliefs, theoretical verdicts and specific interpretations? Given the large bibliography dedicated to this important area of research, the emergence of a new work having as topic the symbol and its interpretation is regarded in a complex manner, both from the perspective of scientific norms and rigors – which ask for the tribute of recognizing already established theories and studies in this field-, and from the point of view of an eternal curiosity, of a continuous need of discovering new meanings, reasons and valencies for what the symbol represents today. This endeavour is also justified by the fact that –in the present article- we have referred to a visual artist, equally interested in theoretical research, but also practical ones, specific to the world of art. The answer to the question we have just launched is maybe already known, the perennity of symbols determines – from now on – the start of a new and challenging research.
