期刊名称：Acta Universitatis Sapientiae: Film and Media Studies
电子版ISSN：2066-7779
出版年度：2020
卷号：18
期号：1
页码：109-129
DOI：10.2478/ausfm-2020-0006
语种：English
出版社：Sciendo
摘要：The Japanese multimedia artist Ryoji Ikeda’s work can be interpreted as a contact between mediums, but also as a contact between disciplines. Most of his video installations are based on concepts borrowed from the field of mathematics, physics or information technology. In this paper I will examine Ikeda’s audiovisual installations by presenting these multimedial installations as possible methods of visualizing digital data in the context of contemporary art. Considering their digital and abstract nature, these works can also be analysed as unique audiovisual environments built from different media based on the same data-sets, offering the possibility of immersion. By unfolding the medial relations within Ikeda’s work I will try to demonstrate how the combination of sight and sound creates the intersensual experience of getting in touch with digital data.
关键词：Ryoji Ikeda;data visualization;video installation;electronic music
