期刊名称：Cultura : International Journal of Philosophy of Culture and Axiology
印刷版ISSN：1584-1057
电子版ISSN：2065-5002
出版年度：2006
卷号：5
出版社：AXIS Fundation, University “Al.I.Cuza” Iassy
摘要：Since the first degrees of musicality of mankind, the music became a sphere of
investigation for naturalists (Darwin), economists (Karl B¨¹cher),
philosophers (Spencer, Schopenhauer, Cioran), who tried to explain, through
their theories, the process of the beginning and settlement of this phenomenon
as well as its influence on the human being.
Schopenhauer will consider art, and especially music, as the only liberating
form from delusion and suffering, from the omnipotence will to live. Making
a strange parallelism between music and the will to live, Schopenhauer will
find between these two a report of identity: ¡°the world is an incarnation of
music as well as an incarnation of Will: There is no art besides music that
expresses an ideal aspect of Will, the Will itself in its purest essence¡±.
If at Schopenhauer the music expresses the Will itself in its purest essence, at
Emil Cioran ¡°the metaphysical madness of the musical experience¡
weakens the will to live and the vital main springs¡±.
Through music Emil Cioran found the way to himself, to his ego and his
profound musical nature.
The moments of separating of the delusions world are for the human being
moments in which the entire existence feels like a melody and all of the
being¡¯s sufferings assemble and melt into ¡°a convergence of sounds, into a
musical enthusiasm and into a warm and resonant universal community¡±,
into a ¡°sweet and rhythmic immateriality¡±.
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