出版社：Universidad de Aveiro, Departamento de Línguas e Culturas
摘要：Even though in tragedy the Messenger usually narrates the offstage events,
which conventionally cannot be presented to the audience, this character should not
be seen only from the technical point of view. In this paper some stylistic devices are
presented, which allow for the messenger¡¯s speech, in Seneca¡¯s Phaedra, to keep the
dramatic and emotional strength, despite the absence of visual presentation.
